I want to make it easy for you to understand this account, but the experiences must be written faithfully, and without reduction.

It’s common for a reader to pause in a complex section, or to put the book down for a time, but I implore you to continue this journey with me.

Don’t you want to follow this labyrinth to it center, and back again? What could possibly be the benefit to you of doing so? That I cannot answer. Only my inner heart knows the reason for expanding a tale that I was warned not to tell, for it is like showing a photograph of a ghost, or giving away a prized treasure map, or telling the meaning of my secret name.

It is only in the reading that the coded points of contact can be assembled within your own Imaginaire, and there, having become a whole being, the book has its effect. It is like one of those connect the dots pictures, with dots numbered 1 to 45, and when you draw the lines from 1 to 2 to 3 to 4 and so on, a picture of a person appears. This account is similar but has more dimensions, the dots are in three dimensions and the resulting picture is in four or more dimensions – and it moves as well. You may have already felt it’s stirring when contact has been made between widely disparate points.

The book contains a hidden figure coasters and moves as each contact point is felt by the reader. Complete the whole puzzle and before you will stand the figure in full form; that is the part of the reader. To permit him to sing is the part of the writer. He waits for you to complete his form.